

Just In: The Sony Creative Film Looks Pack - Samples & Notes for Use
All SOOCs with Sony a6700 Creative Look Settings For years, Sony lagged behind the famous "film simulations" of Fujifilm. The common stigma was that Sony’s color science just wasn't there. When Sony finally released their new Creative Looks, it cleared some of that stigma and made them worth experimenting with, and they are so much better now, but they are still far from perfect. For a long time, I refused to use Sony's standard Creative Styles or Looks because basic options
Veres Deni Alex
Mar 45 min read


New Film Simulation Update: Best Sony Picture Profiles
Coming with a new update on the in-camera film simulation pack for Sony cameras. You spoke, I listened: AWB Film Recipes With this new...
Veres Deni Alex
May 23, 20259 min read


Can you get Fuji colors on Sony?
If you’ve ever wanted to switch to Fuji from Sony , you’ve probably wondered whether you can get Fuji colors on Sony. Good news - you can...
Veres Deni Alex
Jan 15, 202525 min read


🌈Color Calibrating all your Sony cameras with in-camera tools - Ultimate Guide - Sony a7III, a7CII, a7SIII, a7RV, ZV-E1, a6700, RX100 VI
Sony has sent me multiple cameras to test out with the film simulations recipes. I think this is a great opportunity to see how different they are in color science and how do these differences translate when using Sony film simulation recipes. Since each Sony camera has a different color science, I want to showcase: the differences between each model at different temperatures how different sensors react to underexposure and overexposure the differences when using film simulat
Veres Deni Alex
Jun 28, 202413 min read


Sony's New FL1, FL2 & FL3 Compared - Color Differences & Samples
Sony FX2 Body The original FL1 has been available on cameras released since 2024, including the Sony A7 IV, A7S III, A7C, FX3, FX30, A7C II, A7CR, and A6700 , alongside other interesting Creative Looks like SH and IN. But with the release of the new FX2, RX1 RIII, and Sony a7V, Sony introduced two brand-new Film Looks: FL2 and FL3. (Note: Sony has also recently released firmware updates for the A1 II and A9 III, officially bringing FL2 and FL3 to those cameras as well!) If
Veres Deni Alex
Mar 67 min read


S-Log Explained - What It Is And How To Shoot With Log
When you’re shooting video, one goal is to capture as much dynamic range and color information as possible. All that data means tonal variability, a wider color gammut to use, and the flexibility to shape the image to your taste. The problem? Normally, cameras don’t process the scene exactly as our eyes do because their sensors have a limited dynamic range and interpret light and color differently. Why the limited DR? It would simply be too much data for it to be efficient. S
Veres Deni Alex
Nov 26, 202515 min read


The Orthochromatic Film Simulation, Straight Out of the Early Film Era
Orthochromatic is a film simulation that stands out for its high-contrast, slightly surreal look. It handles reds and skin tones...
Veres Deni Alex
Sep 24, 20253 min read


Best Digital Cameras With Film Simulations - My Picks
Source Ever since Fuji came out with their film simulation cameras - the most recent being the Fujifilm GFX 100 RF - I’ve seen so many...
Veres Deni Alex
Sep 8, 202527 min read


Solara 100 - A Sunny Addition | Freshly Baked Series
Solara 100 is a new interesting addition to the film simulation bundle. It adds natural warmth and a sun-kissed feel. Whether shooting...
Veres Deni Alex
Sep 2, 20252 min read


Rose Spectra | A perfect film simulation for portraits and travel
Rose Spectra started with portraits. I wanted a look that brought a gentle warmth to skin tones, with a soft rose tint that feels...
Veres Deni Alex
Sep 1, 20252 min read