Super 16mm Film Look - Davinci Resolve Power Grade
Bring the gritty, raw vibe of 16mm to your digital footage. These 23 CineGrit Super 16mm Power Grades work for Log and Rec709 workflows across Sony, ARRI, R3D, Canon, and Blackmagic cameras. Your go-to for unmatched versatility.
Here’s why you’ll love this
23 presets for maximum versatility
You’re not boxed into one look. With 23 grades, you get everything you need for any setting – from soft, subtle looks to bold, punchy ones.
8-bit compatible
The Cinegrit Super 16 Power Grades are also calibrated for 8-bit footage – Most power grades are designed for 10-bit and break colors at 8-bit.
P.S. — If you want to use LOG profiles, stick with Slog2 or the equivalent of other camera brands. S-log3 is not usable in 8-bit.
Make it yours
Each Super 16mm look comes with fully adjustable nodes, giving you total control. Edit colors, contrast, film grain, halation, and more to customize the film look your way.
- 23 tweakable DaVinci Power Grades for ultimate versatility.
- That 16mm gritty film grain that’s specific to 16mm films.
- A halation node.
- A built-in green channel correction node lets you effortlessly shift greens toward a crisp cyan-green – to get those film color tones.
- A dedicated node for log conversion—just select your camera’s official Log-to-Rec709 LUT (Sony, Canon, Fuji, Panasonic, etc.) for quick and easy correction. You can enable or disable it as needed.
You’re in the driver’s seat - tweak all the settings to personalize your look.
