How Does This Kodachrome LUT Pack Work?

The Kodachrome LUTs are designed for S-Log3, and built to automatically convert your footage to Rec.709 & apply a creative grade based on 5 Kodachrome looks. These are 65-point .cube files (3D LUTs), meaning they map color and luminance across the entire tonal range, not just highlights or shadows, for smoother transitions, more accurate hues, and natural film-like color response. Just apply them directly—no conversion LUT needed.

Do These Kodachrome LUTs Work With Other Cameras?

These .cube files were specifically designed for Sony Slog3 S-gamut3.cine video footage. So, you cannot use them on any other camera brand.

Want To Use It With Other Camera Brands?

If you don't own a Sony camera, you can check out the Kodachrome Power Grades for DaVinci Resolve. These offer more flexibility and control, suitable with any camera brand.

Kodachrome LUT Pack

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6 Kodachrome LUTs, specifically designed to convert your Sony S-log3 footage to a Rec709 space, while also applying a creative grade. Inspired by the one and only Kodak Kodachrome - known for strong reds, rich contrast, and a very specific color response that still holds up decades later.

Stress tested to ensure smooth transitions and a high film accuracy.

This Kodachrome LUT pack emulates the film look across five distinct Kodachrome-inspired flavors, based on the work of photographers such as Steve McCurry, David Alan Harvey, Peter Guttman, Alex Webb, as well as some lesser known photographers I’ve studied.

NOTE: Made for Sony S-Log3 footage ONLY. Use in software compatible with 65 points .cube files, such as DaVinci Resolve, Premiere Pro, or Final Cut Pro, avid. Only for S-log3 footage.

The Kodachrome LUTs are designed for S-Log3, and built to automatically convert your footage to Rec.709 & apply a creative grade based on 5 Kodachrome looks.

These are 65-point .cube files (3D LUTs), meaning they map color and luminance across the entire tonal range, not just highlights or shadows, for smoother transitions, more accurate hues, and natural film-like color response.

Made for Sony cameras and stress tested to ensure smooth transitions. The pack has a high film accuracy & it’s been tested thoroughly. Just apply them directly—no conversion LUT needed.
Shoot in S-log3 format. All the original footage for this was shot in log profiles, with the highest dynamic range settings. As a result, footage using lower dynamic range log settings will appear darker.

Overexpose your footage by +1.5/2 stops. This ensures you’ll get the look I designed, otherwise it will look darker than intended.
Five distinct Kodak Inspired LUTs, one memorable aesthetic.

5 .cube files

A PDF guide for installing and working with the LUTs.