How To Use This Wes Anderson LUT?

1. Shoot in Log: Record your footage using S-Log3 / S-Gamut3.Cine on a supported picture profile. 2. Expose correctly: Overexpose the footage by +1.5 to +2 stops. The LUT is specifically calibrated for overexposed Log footage, and failing to expose correctly (or under-exposing) will result in dark, muddy footage. 3. Apply the LUT: Apply it to the footage in your editing software. 4. Fine-tune: Make small adjustments to contrast, saturation, or exposure using curves or color wheels to match your vision.

What specific looks are included with the LUT?

It includes a 'Natural' look (an accurate, balanced, true-to-film look) and a 'Vibrant Teal & Orange' look (a warmer style closer to the movie cover).

What cameras and base profiles are compatible?

It is designed for Sony Mirrorless cameras (including the A7SIII, A7IV, FX3, FX6, FX30, etc.) shooting in 10-bit with the S-Log3 / S-Gamut3.Cine base profile.

Is this LUT meant for editing photos?

No, it is designed only for video. For photography, the creator recommends using their separate Sony Film Simulation preset pack or the in-camera Asteroid City recipe.

What white balance settings should I use?

You should shoot in daytime around ~5500 K. If your scene uses any other type of lighting, you will need to manually balance the colors.

What editing software supports this LUT?

It is compatible with any video editing software that accepts standard .cube LUT files, including DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro X, and Avid.

Asteroid City LUT – Kodak Vision 200T

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A Sony S-Log3 to Rec.709 LUT inspired by Wes Anderson’s Asteroid City, built to emulate Kodak Vision 200T's emblematic aesthetic. This Asteroid City LUT embraces Wes Anderson’s iconic teal and orange palette, low contrast, high saturation aesthetic, while also converting your footage to a Rec709 space.

Tested extensively on Sony cameras recording in S-Log3 / S-Gamut3.Cine and stress-tested to ensure smooth highlight roll-off, clean gradients, and stable colors without breaking apart.

What It Includes

Natural - an accurate, true-to-film movie look with balanced tones.
Vibrant Teal & Orange - a warmer, more vibrant teal-orange look, closer to the style of the movie cover.

Step 1. Shoot in Log - Record in S-Log3 / S-Gamut3.Cine using a Picture Profile that supports it.

Step 2. Expose correctly - Overexpose your footage by 1.5 +2 stops. This LUT is calibrated specifically for overexposed Log footage. Not exposing correctly will produce muddy and darker results.

Step 3. Apply the LUT - Apply the Asteroid City LUT in your editing software.

Step 4. Fine-tune - Adjust contrast, saturation, or exposure slightly if needed. Small curve or wheel tweaks go a long way.

Note: Set design, composition, and lighting make up the whimsical look that defines Wes Anderson as well. Use the LUT when shooting in brighter environments, and use set design, clothing, and composition that build on that aesthetic.
Camera System: Sony Mirrorless (A7SIII, A7IV, FX3, FX6, FX30, etc.)

Base Profile: S-Log3 / S-Gamut3.Cine

White Balance: Shoot in the daytime ~5500 K. If the scene has any other type of light source, you’ll have to manually balance out the colors.

Exposure Target: Optimized for +1.5/ +2.0 EV overexposure.

Note: Exposing "to the right" ensures the cleanest shadows and the most accurate pastel rendition. Under-exposed footage may appear too dark and muddy.
Any video editing software that supports cube LUT files, including:

DaVinci Resolve

Adobe Premiere Pro

Final Cut Pro X

Avid
The Asteroid City LUT is an independent color-grading tool developed through a meticulous study of the specific palettes, saturation levels, and highlight roll-off styles featured in the cinematography of Wes Anderson’s films, specifically Asteroid City. It is designed to help filmmakers achieve a similar aesthetic in their own creative projects.

This product is a creative tribute and is not affiliated with, sponsored by, or endorsed by Wes Anderson, Indian Paintbrush, American Empirical Pictures, or any other entities associated with his films.

All company, product, and service names used on this website are for identification and reference purposes only. Use of these names, trademarks, and brands does not imply endorsement or any formal association with the trademark holder.